Thursday, October 11, 2012

Art of the Book and Al-Mutanabbi Street Commemorated In Book Arts


To mark the anniversary of the bombing and the essential role that art plays in our lives, poet Beau Beausoleil and others have organized readings in 10 cities. These readings are part of a much larger project that Beausoleil and a dedicated group of artists and volunteers have worked on since 2007. Read more at the Huntington Post.
On July 2010, Beau Beausoleil put out a call for book artists to join ‘An Inventory Of Al-Mutanabbi Street’, a project to “re-assemble” some of the “inventory” of the reading material that was lost in the car bombing of al-Mutanabbi Street on 5th March 2007. We joined in with Beau that month, to co-curate the call to artists to join our project and further enhance the previous work of the Coalition by honouring al-Mutanabbi Street, through creating work that holds both “memory and future,” exactly what was lost that day.
Beausoleil also reached out to artists to create books that would hold both "memory and future" of the bombing. There are 261 books that have been created as part of the project. More at the Huffington Post.
More information at the Jaffe Center for Book Arts.
At the Art of the Book exhibit you will see some of the book art created for Al-Mutanabbi  by Rochester book artist, Scott McCarney. Read more below and click on the image for exhibit information.
On October 21, 2012, the Central Library of Rochester and Monroe County will host the second exhibit of Art of the Book. Included in this exhibit will be a book by Rochester book artist, Scott McCarney in memory of those who lost their lives at Al-Mutanabbi Street. Entitled Material Meditation on Mending Al Mutanabbi Streethis book consists of fifteen two-sided loose-leaf prints made from collages constructed from remnants of found books, rubbings from book bindings and photographs. The leaves are gathered into a tar paper folder, like scattered pages picked up in the street and slipped into a convenient sheath. The fragments, assembled with staples, tapes, and glue, attempt to speak to reconstruction as well as memory; of life, literature and culture suspended, disjointed and reassembled into some sense of a whole.
Sue Huggins Leopard is another book artist who's work will be seen commemorating  Al-Mutanabbi. Her book is entitled, ElegiesElegies uses part of a poem titled Elegy on the death of the mother of Saif al Daula, written by al-Mutanabbi in the year 948. Although written by the great poet in an age seemingly vanished and separated from the car bombing on al-Mutanabbi Street in Baghdad by more than a thousand years, the words remain very moving and speak powerfully to the universal themes of mourning and the futility of violence. I echoed these lines with words by an imagined poet in 2007. A poet who I imagined might be like a young person who would frequent a street of booksellers. A poet with a potential to see beauty; to speak.
Book artist, Barbara Fox will also have her book shown. That Day On Al Mutanabbi Street 2012, is a collection of digital images and poetry on various papers. It is printed in English using Lithos Pro, and in Arabic the font is Baghdad. 4 inches high by 6 inches wide. Digital Images on Various Papers. You can see more her work on her website, Barbara Fox.
Al-Mutanabbi is also commemorated by local artist printmaker, Kristine Bouyoucos. Her book folds out with
twenty-eight shadow people in the pages, one for each killed. Their names appear on the back of each page. The last page has a reddish background to remind us of the more than a hundred wounded.
Read and see more at the Centre for Fine Print Research. Find more information and images here at An Inventory of Al-Mutanabbi Street.

Friday, September 7, 2012

Pretty Ideas Food Tumblr: Add a Spoonful of Sugar






If you want some great baking ideas that are pretty to look at and probably even better to eat take a look at this tumblr, Add a Spoonfull of Sugar. This tumblr is full of delicious pictures of things you will want to bake. It's just photos, no recipes, but even with limited baking expertise you can figure these out. Then you can come into the library and check out books to help you bake these pretties.























Rolling Pin Wrapping Paper

That time is coming when we will all need a lot of wrapping paper. It can get expensive but you can make your own and make it look the way you want it to. I've used doilies and made some very pretty paper. I have also have used unmounted rubber stamps and glued them to the rolling pin. Try it, it's fun. 







Rolling pins: perfect for pie crusts and original pieces of graphic art.
Printmaking is simply the process of transferring a pattern or piece of art with inks onto paper. Every time you transfer the ink, however, it is considered an original piece of art since it will have it’s own unique qualities, making you (the roller pin swiller) a master of tarts and art. A very DIY nerd thing to say, yes; but true.



You can use many items for this exercise: a carved block, a Styrofoam plate, fruits, erasers, potatoes – anything that will transfer ink. As far as the rolling pin goes, use rubber bands and craft foam to create pure awesomeness. The advantage of using this particular implement is that you can print a large swathe very quickly.
This is going to get messy. Be sure to cover your work area and wear an apron.
More from read the rest at Ecosalon





Some books in the Central Library to get you started. Click on image to connect to our catalog.








Monday, August 20, 2012

Gingerdead Men: Better Grab 'em soon




These cute little Gingerdead Men sold out really fast last year. Here are two sites that have them. If you want to make them grab them now. Gingerdead at Plasticland and Fancy Flours.



And then come into the library and grab some books to make gingerbread.















The Most Beautiful Lingerie Ever by Yuka Maeda



Some of the most beautiful lingerie made by Yuka MaedaThe stockings are hand crocheted using silk yarn as well as the bra cups and the frills of the knickers. The fabric is cream cotton sateen. Read more on her blog. There is not much more to say, this woman does some of the most exquisite work.




Some crocheted collars.








Jean-Michel Othoniel (French, b. 1964), The Secret Happy End, 2008. Murano glass, Saint Just's mirror glass, metal, vintage carriage, 106 5/16 x 145 11/16 x 59 1/16 in. (270 x 370 x 150 cm). Brooklyn Museum, Gift of Galerie Emmanuel Perrotin, Paris/Miami, and the artist, 2010.11. © Jean-Michel Othoniel



August 17–December 2, 2012

This exhibition at the Brooklyn Museum presents a survey of the twenty-five-year career of Jean-Michel Othoniel (French, born 1964), from his first intimate, enigmatic works made of sulfur and wax to his recent large-scale, colorful glass sculptures. Working with these mutable materials, he has fashioned a poetic visual language to explore themes surrounding the body, beauty, desire, and metamorphosis.
 Works on view include embellished heraldic banners, Murano glass sculptures, and magnified necklaces and knots, evoking the fantasy universe of a fairytale. Read more this exhibit at The Huffington Post.

Tuesday, August 7, 2012

Fuzzy Green Fingernails


Flickr user Alice Bartlett cut some green flocking to fit on her fingernails and staged a little scene with miniature figurines. I love projects that play with scale like this. They make me ponder the tiny worlds that exist just beyond my range of vision. Because microscopic life actually DOES exist on your fingernail!

Books Always Win



If you want to lean how to make these you'll have to go to Victoria's Kitchen in London, England 

Tuesday, July 31, 2012

Anna Torma: Primitive Stitch Work that Tells a Story



As someone who likes fiber art, enjoys stitch work and buys fiber art books for the Central Library Art collection, I'm always looking for new fiber artists. While researching I came across this artist, Anna Torma.


 She blends together her love of primitive art and children's storytelling together to create these colorful works.  Her work is so energetic and happy. They almost look like children's drawings. Her colors are vibrant. While reading about her I leaned she does indeed  use the drawings and stories of her children to create many of her works.


Torma was born in 1952, Tarnaors, Hungary. She leaned how to sew, knit, crochet, and embroider from her mother and grandmothers. Her interest in working with textiles goes back to early childhood when she learned to sew, knit, crochet and embroider from her mother and grandmothers. Torma graduated with a degree in Textile Art and Design from the Hungarian University of Applied Arts, Budapest, Hungary, where she studied from 1974-79. Since then she has been exhibiting her large scale hand embroidered wall hangings. 


Let's hope she publishes a book of her work. Until then you can view her new work called Bagatelles here at Selvedge Magazine.


More of Anna's work.






Wednesday, July 25, 2012

Alexis Arnold: Crystallized Books






Came across this yesterday. Sculptor and installation artist Alexis Arnold explores the visual manifestations of time and memory upon objects. Using Borax crystals and paperback books, Arnold transforms ordinary reading material into beautiful and mysterious masses of mineral matter. She says, "The crystal growth highlights or creates the aesthetics of these once-utilitarian objects that are entering the world of obsolescence, as well as acts to suggest past narratives and post-human futures laden with nostalgia, wonder, and the interminable progression of time."
More about her work here.




Monday, July 16, 2012

Fiber Artist Yulie Urano





I just came across this fiber artist, Yulie Urano in American Craft magazine. her creations are made from yarn into thick long colorful ropes. With her self made ropes she creates knitwear unlike traditional knitwear.

Urano was raised in Kansas City to Japanese born parents. She comes from a background of women who worked with fibers. Her grandmothers were kimono makers and indigo shibori dryers and her mother sewed toys and clothes for her family. Urano started out as a sociology major and soon switched to studio art. It was at the University of Colorado where she really began to discover the interest she had for fiber arts. Soon she was completing an art program at Kansas City Art Institutes fiber arts programs.

The fibers she works with are very large and there are no needles available for her to knit with. Urano's needles are her hands and she knits her works right onto her body.  She is well known for her signature cowlneck sweaters.

Urano also uses her Japanese heritage to create felted wool creatures inspired by Japanese Kawaii, which means cute.



Read more about Urano at American Craft.

Thursday, June 28, 2012

Incredible Embroidered Drawings by Izziyana Suhaimi






Embroidered art appears to be having a bit of a moment, and Singapore-based artist Izziyana Suhaimi creates some of the loveliest examples of the trend that we’ve come across yet. In her latest series, The looms in our bones, she combines pencil drawings of what she describes as “strange and awkward but attractive girls” with embroidered embellishments, resulting in eye-catching illustrations that are deliciously textured with bright pops of color.
Read more at Flavorwire








Wednesday, June 13, 2012

Quilts in the Library

Come see beautiful quilts in the Arts Division @ the Central Library, Rochester NY.






















We have many books on quilting in the Arts division. Here is a small sample of what you will find here in the collection.